In 1942, Bill Manbo (1908-1992) and his family were forced from
their Hollywood home into the Japanese American internment camp at
Heart Mountain in Wyoming. While there, Manbo documented both the
bleakness and beauty of his surroundings, using Kodachrome film, a
technology then just seven years old, to capture community
celebrations and to record his family's struggle to maintain a
normal life under the harsh conditions of racial imprisonment.
Colors of Confinement showcases sixty-five stunning images
from this extremely rare collection of color photographs, presented
along with three interpretive essays by leading scholars and a
reflective, personal essay by a former Heart Mountain internee.
The subjects of these haunting photos are the routine fare of an
amateur photographer: parades, cultural events, people at play,
Manbo's son. But the images are set against the backdrop of the
barbed-wire enclosure surrounding the Heart Mountain Relocation
Center and the dramatic expanse of Wyoming sky and landscape. The
accompanying essays illuminate these scenes as they trace a
tumultuous history unfolding just beyond the camera's lens, giving
readers insight into Japanese American cultural life and the stark
realities of life in the camps.
Also contributing to the book are:
Jasmine Alinder is associate professor of history at the University
of Wisconsin-Milwaukee, where she coordinates the program in public
history. In 2009 she published Moving Images: Photography and the
Japanese American Incarceration (University of Illinois Press). She
has also published articles and essays on photography and
incarceration, including one on the work of contemporary
photographer Patrick Nagatani in the newly released catalog Desire
for Magic: Patrick Nagatani--Works, 1976-2006 (University of New
Mexico Art Museum, 2009). She is currently working on a book on
photography and the law.
Lon Kurashige is associate professor of history and American
studies and ethnicity at the University of Southern California. His
scholarship focuses on racial ideologies, politics of identity,
emigration and immigration, historiography, cultural enactments,
and social reproduction, particularly as they pertain to Asians in
the United States. His exploration of Japanese American
assimilation and cultural retention, Japanese American Celebration
and Conflict: A History of Ethnic Identity and Festival, 1934-1990
(University of California Press, 2002), won the History Book Award
from the Association for Asian American Studies in 2004. He has
published essays and reviews on the incarceration of Japanese
Americans and has coedited with Alice Yang Murray an anthology of
documents and essays, Major Problems in Asian American History
(Cengage, 2003).
Bacon Sakatani was born to immigrant Japanese parents in El Monte,
California, twenty miles east of Los Angeles, in 1929. From the
first through the fifth grade, he attended a segregated school for
Hispanics and Japanese. Shortly after Pearl Harbor, his family was
confined at Pomona Assembly Center and then later transferred to
the Heart Mountain Relocation Center in Wyoming. When the war ended
in 1945, his family relocated to Idaho and then returned to
California. He graduated from Mount San Antonio Community College.
Soon after the Korean War began, he served with the U.S. Army
Engineers in Korea. He held a variety of jobs but learned computer
programming and retired from that career in 1992. He has been
active in Heart Mountain camp activities and with the Japanese
American Korean War Veterans.