James Fenimore Cooper's Leather-Stocking tales, published between
1823 and 1841, are generally regarded as America's first major
works of fiction. Here, Geoffrey Rans provides not simply a new
reading of the five novels that comprise the series but also a new
way of reading them.
Rans analyzes each of the five novels (
The Pioneers,
The
Last of the Mohicans,
The Prairie,
The
Pathfinder, and
The Deerslayer) in the order in which
they were originally composed, an achronological sequence in terms
of the stories they tell. As events in early written novels
interact with those in later ones, the reader is compelled to
construct political meanings different from Cooper's ideological
preferences. This approach effectively precludes reading these
works as Natty Bumppo's life story, or as an aspect of Cooper's.
Rans presents the series as a text that faithfully reproduces the
conflicts Cooper faced, both at the time when he wrote the novels
and in the history that the novels contemplate.
Cooper emerges as a composer of richly problematical texts for
which no aesthetic resolution is possible and in which every
idealization, political or poetic, is relentlessly subjected to the
gaze of historical reality. The tension between potential and
practice, which is apparent in the final two volumes of the tales,
is present, Rans contends, from the inception of the series.
Because the problems of racism and greed that Cooper addresses
remained as unresolved for us as for him, Rans concludes that this
reading of the Leather-Stocking tales reinforces both Cooper's
central canonical position and his value as an articulator of
political conflict.
Originally published in 1991.
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