This study examines the complex relationship between theological conviction and artistic expression among a diverse group of religious dissidents. Kendall argues that there existed a distinctly radical tradition of dissent poetics whose presence may be discerned among the popularizers of Wycliffite ideas, the Edwardian hot gospelers, and the Elizabethan Puritans. These religious reformers challenged the mainstream of literary thought in the late Middle Ages and Renaissance.

Originally published in 1986.

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